Fighting With Shadows, a painting by Tracy Sweeney exploring Irish emigration and the legacy of the Great Famine.

Whisper, 2019, Oils & Mixed Media on Wood

Fighting With Shadows

A BODY OF WORK ON EMIGRATION, IDENTITY AND THE LEGACY OF IRELAND’S GREAT FAMINE

2019

Some stories make their way home before the people who lived them ever can. Fighting With Shadows began when an American family, the Kings, traced their roots to the ruins of their family cottage in Straide, County Mayo — in the very field beside Sweeney’s studio.

Close-up of Nancy’s trunk, bearing the traces of her journey from Ireland to America.

Nancy’s trunk, bearing the traces of her journey.

The title of this collection comes from the recorded words of a Mayo famine victim, who described the experience of helplessness and oppression as “fighting with shadows”. The phrase became the emotional foundation for a body of work that began with a commission from the King family to honour Nancy, whose mother, Bridget, left Straide in the 1920s, carrying a single trunk, and never returned.

Leaving, an abstract painting by Tracy Sweeney exploring emigration and departure.

Leaving, 2019, Oils on wood

Working from the ruined walls of the King family cottage, its broken stone and moss-covered surfaces, Sweeney paints what remains — the memory and weight of departure at the heart of Ireland’s broader emigration story. The resulting works form part of the permanent collection of Ireland’s Great Hunger Museum, at Quinnipiac University, CT, USA.

Arriving, an abstract painting by Tracy Sweeney exploring emigration, return and belonging.
“I cannot portray the full horrors of that period, but through these paintings I hope to honour what was left behind and acknowledge the profound act of migration that shaped so many Irish families. The soil remembers. The ruined walls remain. Within them are stories that continue to echo across generations and oceans.”
— TRACY SWEENEY

Arriving, 2019, Oils on Wood

Abandoned, an abstract painting by Tracy Sweeney exploring loss, departure and memory.

Abandoned, 2019, Oils on Canvas

“No part of this island was left unscathed; the soil holds the memories.”
— TRACY SWEENEY

Selected Works